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Extract removes any pixels within a specified brightness range using the provided histogram. This works better for images that are shot against backgrounds with a drastic difference in brightness from the elements you want to keep, including black and white walls or shadows. Inner Outer Key (15.6) isolates any foreground objects from the images background, including hard to define elements like hair or other subjects with fine detail. To make this work, begin by creating a rough mask for the elements you want to remain opaque, which defines the approximate inner and outer edges of the objects. This can be done by drawing a closed path around the border of an object and adjusting the mask highlight radius.You may also choose to create separate inner and outer paths that enclose all the potential components of the object. Set the feather and threshold values and then adjust the amount you want it to blend with the original image layer. Linear Color Key creates transparencies by using RGB, hue, or chroma information that relates to a color that you have specified. By adjusting the effect's tolerance and softness using the thumbnail windows as a reference (the left thumbnail is the unaltered source, and the right is your new preview), you can often achieve better results than if you use a basic color key. Lurna Key makes areas of a specified brightness, or luminance, transparent. This works best for

Worksheet and workbook-level names can be the same. You can have a worksheet-level name such as AprilAnalysis (2) !DayNumber whose value happens to be 14. You can have a workbook-level name such as DayNumber whose value happens to be 27. You get the following results:

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Blade thickness is an obvious mechanical design consideration The blades must be thick enough to handle uctuating hydraulic loads without bending or breaking, and as thin as possible to conserve material and minimize weight (mass) Because of size and cost, the blades could even be the weakest link in a design Breaking a blade would be less costly than breaking a shaft or gear reducer Designing the platelike extension blade for a pitched blade turbine (Figure 21-37), is a simple mechanical design task once the uid forces are estimated For turbulent conditions, the inertial forces dominate over the viscous forces, so pressure is the primary means of transferring uid forces to mechanical objects For design purposes, hydraulic forces corresponding to pressure are assumed to act normal to the blade For transitional conditions, some combination of inertial pressure and viscous drag will act on the impeller blade.

This combination of forces makes the pressure design of blades conservative for pitched blade turbines and equal for straight-blade (vertical-blade) turbines The commonly known or calculable force acting on the impeller blade is the force related to torque, which is horsepower, P [hp] {W}, divided by rotational speed, N [rpm] {rps}, divided by the number of blades, nb , or the rst term inside the parentheses in eq (21-26) Because the pressure force acts normal to the blade and the torsional force must be horizontal for a vertical rotating shaft, a factor of the reciprocal of the sine of the blade angle enters the expression for blade thickness The equivalent pressure force must act at some moment arm from the center of rotation, which would be the impeller radius, D/2 [in] {m}, if the force acted at the blade tip.

1. To create a value list, choose File Define Value Lists. The Define Value Lists dialog appears (see Figure 4-24).

However, because pressure forces are lost around the tip of the blade, causing a vortex ow pattern, the effective force must act at a.

Display only those sales reps whose last names begin with A. Display only those sales reps whose sales totals were over $4,000. Display the top five sales reps in terms of total sales.

You must have a window from the drag-to application open when you start dragging for drag-and-drop to work between programs. If the window is hidden behind other windows, drag to the destination application s taskbar button, pause while the window is displayed, and then drop into the destination window. Running Mac OS X 10.3 (Panther) or later, press F3 to invoke Expos and tile all the windows of all running applications. Select the one containing the item you want to drag, select the item in that window, and start the drag. While keeping the mouse button down, press F3 again and continue the drag to the window where you want to drop your selection.

and Cartoon Network, since we're focused on an older, 18-34 year-old, demographic. JG: Why do you think it's taken so long for Flash to be recognized as a way to create low-cost animation for TV JE: One reason is that the "Internet look" influenced opinions. People looked at the constraints put on Flash-based artwork and storytelling methods so it could play on the Net, and couldn't visualize how that would translate to TV, or how things could look in Flash if you didn't have those constraints.

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