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menu is set to Single Frame. Below it, the First field is set to 1, which refers to the timeline of this graphic symbol. Change this number to 20, and press Enter (Return). Doing so changes the graphic: the rabbit s eyes close, as shown in Figure 7-43.

The single b character in this expression stands for the body of the message. The message body is piped to the getthisfile script, which does the actual mail processing. This is the way you would generally send to the script the information contained in the mail message. In our case, most of the header and the body of the mail don t contain anything of value, so the subject line is really all the information we need. If the body of the message were required, the script would need to be ready to receive standard input from the pipe. This would probably be done through a read loop. An example of this type of processing can be found in 27.

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Double-click the Rabbit symbol in the Library, and you ll see why this change occurs. The Rabbit symbol has a timeline, and the Head symbol changes every 10 frames. You can see this by selecting the head on the stage in frame 1. The instance name in the Properties panel is Head1. Scrub over to frame 10, click the head on the stage, and the instance name changes to Head2. Once, and change the First input field to 10. This changes the rabbit s head and instructs the graphic symbol to play through the end of its timeline a single time.

The last step is to tell the ScriptManager to download your custom JavaScript file by adding the following HTML inside the <ScriptManager> element:

stage. At the top, the symbol continues to move but no longer updates the rabbit head. The reason for this is that the symbol s timeline has reached its end but does not repeat.

The e-mail account is now set up to receive and process the special messages. Any mail sent to this account with a subject line of the following form will be processed by the getthisfile script:

You might also want to select Synch in the Looping properties. When Sync is selected for the various spans in a multiple-keyframe classic tween, Looping properties are applied to all spans. When Sync is deselected, Looping properties apply to only the current span. Selecting this option for a nested animation ensures the nested frames in the graphic symbol will be synchronized with the main timeline.

Designer and animator Chris Georgenes (www.mudbubble.com) has lent his talents to numerous cartoons on television and the Web, including Dr. Katz, Professional Therapist, Adult Swim s Home Movies, and, well, more online animation than either of us could shake a stick at. One of the giants in the field, Chris uses combined timelines to great effect in practically all of this Flash work. From walk cycles to lip-syncing, Chris builds up elaborate animated sequences by organizing relatively simple movement into symbols nested within symbols. The orchestrated result often leaves viewers thinking, Wow! How did he do that Luckily for us, Chris was kind enough to share one of his character sketches, which provides a simplified example. Open the Grotto.fla file from the Example folder for this chapter. Note that the main timeline has only one frame and only one symbol in that frame (see Figure 7-44). This base symbol is a movie clip, because Chris wanted a slight drop shadow effect on the friendly monster, and graphic symbols don t support filters.

Double-click this movie clip to enter its timeline. Even with a basic example like this one, you may be surprised by the number of layers inside. Try not to feel overwhelmed! The layers are neatly labeled, as shown in Figure 7-45. (Now that you see how a pro does it, start labeling your layers as well.) Also, although there are many of them, they all have a purpose. If you like, temporarily hide a number of layers to see how each layer adds to the complete picture. What we re interested in is the mouth.

Subject: getthisfile {binary|command|help} {path/file|command}

You can see the HTML of the complete web page in Figure 3-9.

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