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You can listen to your commercial and burned CDs in Media Player, but it truly comes into its own as an endlessly flexible music environment with its music organization features: the Media Library and playlists. Together, they complement one another, with the Media Library encompassing all your music and each playlist containing a portion of it. Put another way, the Media Library separates your media files from the rest of the files on your PC, while the playlists divide up the Media Library. Once you ve set Media Player loose finding all your media files and have separated some of them into a half-dozen playlists or so, you have a much greater degree of control over the potentially widely scattered music files on your PC. In fact, you might well discover songs you d forgotten you d ever downloaded or ripped from CDs. To populate the Media Library, load Media Player and either press the F3 key or choose Tools Search for Media Files. In the rather clumsily named Add to Media Library By Searching Computer dialog box (in somewhat less than concise style), you can search all your drives, all folders except those containing programs, the My Music folder (a subfolder of My Documents), any of the specific drives on your system, or, by clicking the Browse button, any folder or subfolder on your PC. By opening the Advanced Options area, you can tell Media Player to ensure that all the tracks added to the Media Library undergo the volume-leveling procedure so that when you create playlists, all songs will play at roughly equivalent volumes. If you choose this procedure without significantly restricting the search and want to compile the Media Library while simultaneously performing volume leveling, expect a long process.

Although session and entity beans work well in implementing transactions, they re not perfect. Often, when session and entity beans work to complete a transaction, they do so in a synchronous manner. When dealing with messages, beans may have to wait until a message request is acknowledged. This waiting period could severely impede EJB performance. To alleviate potential performance bottlenecks arising from the synchronous handling of messages, Sun Microsystems introduced JMS support for EJB in release 1.1. JMS is an asynchronous messaging service, which means that a JMS message sender doesn t need to wait for a response. For example, if one or more beans are involved with a transaction, the steps required to complete the transaction usually follow a prescribed sequence. In addition, the next step in the transaction should not commence unless the previous step has successfully completed. Any messaging involved in processing a transaction should be synchronous. In contrast, if the business scenario requires that other beans be notified of the status of the transaction, the notification may be sent asynchronously. An order placement bean may send messages to inventory beans so the inventory beans can adjust the stock items; the inventory bean may not need to message the order bean back. Although EJB 1.1 supported JMS (and asynchronous messaging), EJB 2.0 wraps JMS inside a bean type and delegates much of the message-driven bean handling to the EJB container. In short, the EJB 2.0 bean developer may take advantage of the asynchronous messaging capabilities of JMS by developing beans as opposed to writing native JMS calls. How does an EJB developer code a message-driven bean In the next section, I show you how.

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You can use Adobe Photoshop, Adobe Illustrator, Corel Painter, or even Adobe Premiere s Title window to create an image matte. After you ve created an image matte, you need to use two more clips to create the effect shown in Figure 11-7, one for Video Track 1 and one for Video Track 2. If you don t have an image matte or video clips, you can use the sample files found in the 11 folder on the CD-ROM that accompanies this book.

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What then is this downloaded client software used for The most obvious is for dynamic graphics. It is possible to use basic HTML code to display some form of movement, by downloading a succession of pages for example, but this is slow and cumbersome. Using the ability of Java and ActiveX to run programs on the client machine, it is possible to generate the graphics locally, limited only by the power of the PC, not by the network. This way, seductive presentation can be achieved, even over slow modem links. Another common use is for form checking: basic browsers allow clients to pull down forms from a server, complete them and send them back. The browser, however, does not check the form to see that the data (for example, a date eld) is within feasible limits. On the other hand active browsers can download and run forms which include a piece of executable code which can carry out this checking, within the PC, and signal to the user, in case of error. As Web pages move from HTML to XML (see page 179), where the latter page generation language contains better checking facilities, this will become even more powerful. Clients PCs pull information down from the server. About 2 years ago, market analysts were predicting a move towards push technology, where the server actively supplied information to the client without the user necessarily requesting it. The name is rather a misnomer: the client actually had to ask periodically for an update from the server, using a piece of

If you want one object to have more than one scale, you can add an annotative scale to it. Follow these steps:

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