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Figure 8-1. A scene from Joe Cartoon s infamous Frog in a Blender from 2000, which was among the first Flash animations to go viral. Introduced in Flash CS4, the Motion Editor panel provides a second non-ActionScript paradigm for moving things from here to there. It s an alternate mechanism to the classic tweens and shape tweens that are carried out in the Timeline panel. In 1, we gave you a drive-by Motion Editor overview, and you ve seen glimpses of it in a handful of other chapters. Now that you have read 7 and have experimented with the various details and nuances of the traditional tweening model, the differences between the old and the new will become abundantly clear. We suspect there will be a surge of interest in the new-style motion tweens and there s good reason for that, as you ll see. People will begin to ask, Which approach is better We ll be compelled to reply with the only legitimate answer there is: the best approach depends entirely on whatever works best for the project at hand. Think of it like this: you ve been using a conventional oven for years, when suddenly a newfangled microwave shows up on your doorstep. It s small and sleek and even has a rotating platter. Grinning, you carry it into the kitchen, plug it in, and slide in some of the goulash leftovers from last night. Two minutes and 20 seconds later ding! you have an instant lunch. Let s try that again, you think, and put in a glass of milk with Hershey s syrup 45 seconds later, instant hot chocolate. Does it get any better From this day forward, it takes you only 3 minutes to get fresh popcorn. In many ways, life has gotten easier, but

while : do for pline in $kill_plist do process=`echo $pline | cut -d: -f1` process="`echo $process | sed -e \"s/%20/ /g\"`" type=`echo $pline | cut -d: -f2` value=`echo $pline | awk -F: '{print $3}'` errval=`echo $pline | awk -F: '{print $4}'` killoption=`echo $pline | awk -F: '{print $5}'`

you can bet your bottom BBQ that the conventional oven isn t leaving its venerable perch. There s no way the microwave bakes a loaf of homemade bread, for example. Then again, a medium rare steak done on the BBQ is far better than one done in a skillet. Clearly, you ll want the best of both worlds. And your kitchen is big enough for it.

With this markup, when the PanLatLong button is clicked, the map will pan to the specified coordinates as shown in Figure 9-8.

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Let s take a comprehensive tour of the Motion Editor panel, covering all the basics. Portions of this will feel like a review after 7, but it s important to understand how the mechanics of motion, scaling, and distortion are distinct from the machinery of classic tweens. You won t be seeing any shapes, by the way, until much later in the chapter. The Motion Editor panel deals exclusively in symbols and text fields, just as is the case with classic tweens. In this case, you ll be creating motion tweens, which look and behave like their classic cousins. The differences come in how they re made and how you can edit them, as you ll see in the following steps:

the Turtle mascot from 2 has made a guest appearance. The object you see on the stage is the Turtle movie clip found in the Library.

The process variable is assigned the first field in the configuration record (pline). It is possible that the process command name you re monitoring will consist of more than one word, separated by spaces. Such spaces are replaced (here using the sed command) with %20, which is a commonly used substitute for the space character, as in URL encoding, for example. The type variable is the second field in the configuration record. As mentioned, it specifies the performance indicator to watch: cputime (amount of CPU time consumed), etime (elapsed time or age of process), pcpu (current percentage of the CPU consumed), or vsize (virtual-memory size). The value variable holds the lower warning threshold for the monitored value, taken from the third field. The errval variable is assigned the value of the upper error threshold for the monitored value, taken from the fourth field. The killoption variable is assigned the final field of the configuration record and specifies an action to perform when the process deviates from the normal range. If the kill option was not specified initially, we set it to be the default kill option. This makes sure no processes are killed unless one of the options for doing so is explicitly used.

tab or selecting Window Motion Editor. What you see is an inactive panel, as shown in Figure 8-2, which tells you a fundamental principle of motion tweens: they must exist on a tween layer, which is a particular mode of a normal layer, as opposed to a mask or guide layer.

Create Motion Tween from the context menu. This converts the layer into a tween layer and makes it available to the Motion Editor panel. (Alternatively, you can click frame 1 and select Insert Motion Tween.) When you apply the motion tween, several things happen at once: the single frame stretches out to a 24frame span, the span turns light blue, and the Motion Editor panel becomes active. Why 24 frames The default length is 1 second, so what you are seeing is one second of animation on the timeline. If you need more time, roll the mouse pointer to the end of the span. When the mouse pointer changes to a double-arrow, click and drag to the right.

Figure 9-8. Example of panning by location (set by latitude/longitude to the Chicago area)

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