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ring of diameter less than the impeller diameter) underneath the impeller (see Figures 11-1 and 11-2). This ensures that the gas has a good chance of being dispersed into ne bubbles by the impeller, providing a high gas liquid contact area. For in-line mixing, gas will generally be fed to the inlet of a static mixer (see Figure 11-3), preferably via an axially positioned feed pipe or, with larger mixer diameters, via a multipoint distributor.

efore you venture too far into scripting, you should review the VBA-related information provided by Microsoft and with InDesign:

This explains why more elements are required as the element spacing increases. As Figure 2.12 indicates, there is a gradual cutoff of higher modes, so the number of elements required depends on how large a ripple one can tolerate. 2.4.2 Higher-Order Phase Modes Each individual excitation mode, not just the zero mode, has an omnidirectional (amplitude) far field pattern (but with an azimuthal phase variation). However, with higher excitation modes the radiation from distortion modes tends to increase, causing increased pattern ripple. We can see from Figure 2.20 that particularly good performance (about 1.5 dB of ripple) is obtained with five isotropic elements, d/ = 0.8, and m = 0. The same array but with m = 1 gives 5 dB of ripple, and m = 2 gives 25 dB of ripple. In general, low phase modes are to be preferred. Figure 2.21 is similar to Figure 2.19, but for m = 1 excitation. The dash dotted lines represent J1 = 0 in this case. Thus, even if a feeding network is designed to generate a particular phase mode in a circular array antenna, other modes will also be generated. These harmonics can be suppressed if the element spacing is small: kR < N/2. Higher modes can also be caused by mutual coupling among the radiating elements [Jones and Griffiths 1988]. The phase mode amplitude is furthermore dependent on the matching of the phase mode impedance; more about this in 8. 2.4.3 Directional Radiators In our discussion of circular arrays with isotropic elements, we have seen that the array parameters (radius and number of elements) must be chosen carefully in order to avoid

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public public public public public public public public var var var var var var var var contactId:int=0; firstName:String; lastName:String; dob:Date; address:String; city:String; zipCode:String; telephone:String;

The code in Listing 20.12 is available in the Web site files as DataGridDropinEditor.mxml in the chapter20 project. n

1. Click the playlist in the Source pane, and then click the Burn Disc button. 2. Choose the Data CD or DVD option button in the Burn Settings dialog box.

If the Consolidate Media command on the File menu is grayed out and unavailable, the project doesn t use any files stored on another drive, so you can t consolidate it.

When you choose All Caps, the uppercase version of all highlighted characters is used: Lowercase letters are converted to uppercase, and uppercase letters remain unchanged. Similarly, the Small Caps option affects just lowercase letters. When you choose Small Caps, InDesign automatically uses the Small Caps font style if one is available for the font family applied to the highlighted text (few font families include this font style). If a Small Caps font style is not available, InDesign generates small caps from uppercase letters using the scale percentage specified in the Advanced Type pane of the Preferences dialog box (choose InDesign Preferences Advanced Type or press +K on the Mac, or choose Edit Preferences Advanced Type or press Ctrl+K in Windows). The default scale value used to generate small caps text is 70 percent (of uppercase letters). You should avoid typing text in all capital letters, even if you think you want all caps. If you type lowercase letters, you can easily change them to uppercase by applying the All Caps format, but if you type uppercase letters, you can t change them to lowercase or to small caps without retyping

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